Sacred Clowns

Because they do not wear masks, the Koshare or Hano Clown are technically not katsinas. However, they play an important role among and integrate with the serious katsina. Like most katsinas they teach lessons and give social commentary with their actions.

The Koshare figures are both sacred and profane. When there are pauses in the kachina dances, they amuse the audience with their inappropriate actions, loud conversations and gluttony. Koshare are also called Gluttons, which is why Koshare dolls are often shown gorging themselves on watermelon. They overdo everything to show you how stupid inappropriate behavior can be.

The Koshari clowns are considered to be the father of the Kachinas. Indications are that the clown belongs to the Underworld and the normal Upper World, and possesses attributes of both worlds, this is why they become the fathers of the Kachinas.

From First People

I first learned about koshare clowns from Tony Hillerman's mystery, Sacred Clowns, set on a pueblo in New Mexico. I was quite taken with the notion of these "holy fools" and the role they play in Native American culture. It is a bit like that of the medieval fool or jester. Because they are clownish and make people laugh, they are able to show the truth in a way that would get others in trouble. They serve as a social conscience in a gentle way.

I had been looking for a koshare doll for some time, and Tom found one while he was in New Mexcio for John's celebration. He brought it back as a second birthday gift. Although I found some images of kachinas by the artist who carved this one, none of them were similar. But I am putting up an image of a koshare to give you an idea. The black and white stripes and the watermelon are typical. The one Tom got is about a foot tall, handcarved from cottonwood with leather and fur trim. If I can get a photo, I will post it later.